![]() ![]() We both kept in mind our idea of creating some comic stuff together, really just for fun. ![]() Meanwhile, Juanjo was hired by Disney Features through their brand new studio in Paris. After that, I stayed in Madrid, making a break from the animation world to start Fine Arts studies for the next four years. We worked together on the Tintin series for a year, and we became great friends. JDC:Juanjo and I were part of the layout team. ![]() That’s when you first met Juanjo Guarnido, who soon after went to France to work at Disney. At this time, the studio was involved in several American and European productions such as Duck Tales, Batman Animated, and the Tintin series. He worked in a Spanish animation studio called Lápiz Azul and told me they were looking for artists to create a team specialized in layout. JDC:I started in the animation business back in 1990, thanks to Rafa, one of my older brothers. How did you first get involved in animation as a profession? Many readers will of course be familiar with your wonderfully successful creation BLACKSAD, but some might not realize it was in fact your first published book and that your background is in animation. ![]()
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